Piano & Keyboard All-in-One For Dummies
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Piano and keyboard players need to know how to build a minor chord. Like the major chord, a minor chord is a triad comprised of a root note, a third interval, and a fifth interval. Written as a chord symbol, minor chords get the suffix m, or sometimes min. Songs in minor keys give you lots of opportunities to play minor chords.

Don’t be fooled by the name “minor.” These chords are no smaller or any less important than major chords. They’re simply built on minor scales, rather than on major scales.

You can make a minor chord two different ways:

  • Play the root note, and add the third and fifth notes of the minor scale on top. For example, play A as the root note, and add the third note (C) and fifth note (E) of the A minor scale.

  • Play a major chord and lower the middle note, or third interval, by one half step. For example, a C major chord has the notes C-E-G. To play a C minor chord, lower the E to E flat.

Check out these minor chords. Play them to hear how they sound.

Just like playing major chords, use fingers 1, 3, and 5 for minor chords. For left-hand minor chords, play the root note with LH 5; for right-hand chords, play the root note with RH 1.

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Try playing “Sometimes I Feel Like a Motherless Child,” a song in a minor key with lots of minor chords found in Book III, Chapter 6, Audio Track 62.

About This Article

This article is from the book:

About the book authors:

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

Jerry Kovarsky is a regular columnist for Keyboard magazine and longtime product management guru with Casio, Korg, and other companies who have been instrumental in bringing keyboard technology into people's homes and onto stages and studios around the world.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

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