Every instrument plays a role in classical music, including the harpsichord. Not all keyboard instruments are touch-sensitive like the piano. Your basic cheapo portable $75 electronic keyboard isn’t, for example. Nor was the piano’s predecessor, the harpsichord. On this keyboard, every note comes out at a medium volume, no matter how hard you hit the key.
Here’s why it’s worth getting to know the harpsichord.
Winning the Baroque gold medal
The harpsichord was the number-one keyboard instrument for music of the Baroque and early Classical periods, and you still often hear it played in music from those periods. A lot of the music of such great composers as Bach, Handel, and Vivaldi would be difficult to perform without it. It’s the veritable gold medalist of the Baroque Olympics.
![A harpsichord with a double keyboard. [Credit: Source: © Dorling Kindersley/Getty Images]](https://www.dummies.com/wp-content/uploads/485618.image0.jpg)
Instead of sounding mellow or rich as a piano sounds, a harpsichord sounds — well, tinkly, twangy, or sometimes even crunchy. And for good reason: In a harpsichord, the strings are not hammered, but plucked.
Whereas the piano has very soft felt hammers to touch the strings, producing a variety of sounds, the harpsichord has little hooks (known as plectra) that rest near the strings. If you press a harpsichord key, the corresponding hook (or plectrum) reaches over and plucks the appropriate string, like a fingernail twanging an archery bow.
Hearing the harpsichord
Check this out to hear a prelude and fugue by Bach, played on the harpsichord (Track 02).
If you particularly love the harpsichord, here are some more pieces you simply must hear:
Bach: Concerto in D Minor for Harpsichord and String Orchestra
François Couperin: Les barricades mystérieuses
George Frideric Handel: Suite in E major, G 145-148 (includes delightful variations on “The Harmonious Blacksmith”)
Domenico Scarlatti: 550 sonatas (They’re all great. Take your pick.)