Piano & Keyboard All-in-One For Dummies
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A trill occurs when you flutter your fingers very quickly between two notes that are close together on the piano or keyboard, either a half step or whole step apart. So, what do you call fluttering between two notes that are farther apart? You can call it whatever you want, but the music world calls it a tremolo.

To play a tremolo, pick an interval — anything larger than a whole step — and alternate playing the two notes as quickly as possible. Like a trill, a tremolo sounds as if you’re playing a bunch of 32nd or 64th notes. But unlike the notation for a trill, which just puts tr above one note, the notation for a tremolo actually shows you both notes that your fingers rumble between.

You see that the two notes of a tremolo have the same note length. At first glance, this notation looks like there are too many beats in each measure, but the three diagonal lines between the notes signal that this is a tremolo and therefore the two notes share the note length. You only count the beats of the first note.

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You can also play tremolo chords. All you do is break the chord into two parts: a bottom note and the remaining top notes. Shake the chord into a tremolo by alternating between the two parts as quickly as possible. Tremolo chords may look intimidating, but if you can play the chord, you can play the tremolo.

Here’s your chance to play a few tremolo chords. For the first measure, put your hand in position for a G major chord and rock between the top notes (B and D) and the bottom note (G) very quickly. Move to the next measure and do the same with a second inversion C chord, and so on.

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Tremolo chords come in handy when playing rock and roll, especially as part of a band. A tremolo turns the otherwise dull task of playing straight chords into a sizzling rhythmic romp.

About This Article

This article is from the book:

About the book authors:

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

Jerry Kovarsky is a regular columnist for Keyboard magazine and longtime product management guru with Casio, Korg, and other companies who have been instrumental in bringing keyboard technology into people's homes and onto stages and studios around the world.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Holly Day and Michael Pilhofer are co-authors of all editions of Music Theory For Dummies and Music Composition For Dummies. Blake Neely was a contributing author to the 2nd edition of Piano For Dummies. David Pearl is author of Piano Exercises For Dummies. Jerry Kovarksy is a contributing writer to Electronic Musician magazine.

Michael Pilhofer, MM, holds a Master's in Music Education with a Jazz Emphasis from the Eastman School of Music, and a Bachelor of Music degree in Jazz Performance from the University of Miami.

Holly Day's work has appeared in Guitar One Magazine, Music Alive!, culturefront Magazine, and Brutarian Magazine.

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