Pamelia S. Phillips

Pamelia S. Phillips is a professional singer with over 35 years of teaching experience. She has designed curriculum for high school students, college BFA programs, and professional training programs, helping thousands of singers refine their singing technique.

Articles & Books From Pamelia S. Phillips

Singing For Dummies
Go from singing in the shower to taking your audience’s breath awayWhether you picture yourself as the next Ariana Grande or just feel like picking up a new hobby, Singing For Dummies walks you through the surprisingly straightforward steps you’ll need to take to develop your voice. It’s a practical guide to every important aspect of singing, from vocal techniques to performance tips.
Singing Exercises For Dummies
Build your voice up—and bring the house down!Some people are born with naturally beautiful voices, but even the best can get better by applying training that can make a performance truly soar. Singing Exercises For Dummies shows you how to do just that. Following the drills and exercises found both in the book and online examples, you'll be able to refine your technique; develop consistency, power, and endurance; and increase your vocal range so you can achieve a voice that stands out from (and always wows) the crowd!
Cheat Sheet / Updated 09-24-2021
The craft of singing requires you to do several things at one time starting with aligning your body and breathing. Whether you’re preparing for an audition or a performance, the successful presentation of any song includes preparing yourself as well as your song. Posture checklist for better singingThe next time you watch a professional singer, observe their posture.
Cheat Sheet / Updated 03-02-2022
The best way to become a better singer is to work on singing exercises that help you improve your tone and technique. These exercises can range from simple vocal warm-ups to drills that help you build your skills and fine-tune your sound.After you warm up your voice, you’re ready to tackle the world of vocal exercises, starting with a drills for practicing breath control and working on your tone.
Article / Updated 03-26-2016
Voice types are easier to figure out if you know where to find the notes on a musical staff. The names of the notes are A, B, C, D, E, F, and G. Those notes repeat across the piano. The treble clef spaces correspond to the notes F, A, C, and E. Beginning on the bottom of the staff and going up, the notes spell face.
Article / Updated 03-26-2016
The four primary voice types are soprano, mezzo, tenor, and bass. Even though these names sound like characters in a mob movie, they’re nothing to be afraid of. Each voice type has specific traits: the range, register transitions, voice tone, and any subdivisions of that voice type, as well as the names of a few famous singers to help you put a sound with the voice type.
Article / Updated 03-26-2016
Answering fundamental questions about the character singing your song leads you to some specific details about how to portray that character when you’re alone onstage. You want to uncover the facts given in the lyrics. Some basic questions to answer include these: What is the character’s name? The character in a radio song is you.
Article / Updated 03-26-2016
Whether you sing just for fun or you dream of performing professionally, you can count on frequently encountering three terms: pitch, note, and tone. These three terms are often incorrectly used interchangeably, but understanding their true relationship to one another may make your journey through the world of singing less confusing.
Article / Updated 03-26-2016
Students often ask about the correct pronunciation of words for singing and speaking. Knowing the difference between voiced and unvoiced consonants can help you figure it out. Voiced consonant sounds are produced by adding vocal sound. An example is the letter M. If you say the word make, you have to add sound to the letter M before you even get the vowel.
Article / Updated 03-26-2016
Your middle singing voice is the bridge between your chest voice and head voice. For women, middle voice feels like a lighter version of chest voice and a fuller, thicker version of head voice. For men, the middle voice feels lighter than chest voice or head voice and fuller than falsetto. You can explore your middle voice or even build one if yours is missing in action.