Music Articles

Cheat Sheet / Updated 07-28-2024

For quick reference, most of what you need to know about music composition is covered in this cheat sheet. Whether you’re sitting with a band and need to know what someone means when they say, “Take it up a fifth!” or you can’t remember the proper form for the 8-bar blues, this handy info is right at your fingertips on one convenient page.

Cheat Sheet / Updated 07-09-2024

DJing is exciting, creative and fulfilling. DJs are on a mission to entertain and play great music. This Cheat Sheet gives you tips and information to help you DJ to the very best of your abilities.

Cheat Sheet / Updated 03-26-2024

Record collecting is easy. In fact, if you already own a few records, you already have a collection. But what you do need to know is how to care for it. This cheat sheet will help you keep your records in the very best shape.

Step by Step / Updated 10-27-2023

When the singer needs a good intro, who’s going to play it? The drummer? Probably not. You are. A piano or keyboard intro is a great addition to a song. And it can’t be any old intro — it’s gotta be good. The audience has a tendency to talk between songs, so it’s your job to shut ’em up and announce the start of the new song.

Step by Step / Updated 10-27-2023

The band is building up to the final chord, and it’s time for the big finish. Why not add a little piano or keyboard as a finale? The singer belts the last lyric, and it’s up to you to drop the curtain. Quick! Grab a handful of these finales and you’re sure to receive an encore request.

Step by Step / Updated 10-27-2023

The key to making good, accurate jumps on the piano or keyboard is the same whether the jump is big or small: Maintain a comfortable, balanced hand position as you jump from the starting hand position across the keyboard to your landing destination. Jumping with an overextended pinky and your hand outstretched like the descent of a giant hawk upon its prey is very common. Instead, the image you want to keep in mind is of a frog jumping from lily pad to lily pad. A frog starts and lands with its body centered over the lily pad, contracting to the same closed, restful shape. Your hands are frogs. As they jump from one position to another, they should look the same before and after the jump. You can practice this skill with every exercise.

Step by Step / Updated 10-27-2023

You can use the pedal on the piano or keyboard to achieve different effects with your musical sound and add a whole new dimension to your playing. Give these exercises a try for some practice.

Step by Step / Updated 10-27-2023

To expand your piano expertise, you should try some broken chord exercises. Broken-chord patterns are common in accompaniment figures and can help make you a well-rounded player. Check out these four patterns found in a wide range of styles.

Article / Updated 10-26-2023

It’s important not to neglect the left hand while learning the piano. They may not be the most exciting things to play, but by working on left-hand scales you unwittingly master the following music essentials: Reading the bass clef Playing with the correct fingering Using nifty patterns and harmonies Realizing how much you miss playing with the right hand Start with some major and minor scales by reading and playing the following scales left-handed. As with right-handed playing, remember to use the correct fingerings as indicated by the numbers above each note. How and when you cross your fingers is very important for obtaining a smooth sound and comfortable left-hand technique. C, G, and F major Here are three major scales for the left hand. You can use the same fingering, both up and down the scale, for all of these. Applying the major scale pattern, you play a scale with no sharps or flats (C major scale), one sharp (G major scale), and one flat (F major scale). A, E, and D natural minor You use the same fingering pattern in the three natural minor scales as you do in the three major scales. A harmonic and melodic minor These scales offer a good opportunity to practice your crossovers and pass-unders in the left hand. The scale patterns change at the same point you shift your hand position. Listen for smooth transitions and an even touch throughout each scale. If you’re unsure of how to play these, you can watch a bunch of left-hand scales being played in Chapter 11, Video Clip 2.

Article / Updated 10-25-2023

Want to get that blues sound in your own piano playing? The blues is a style of music all its own. Heck, it even has its own scale. Here, you don’t apply the blues style to an existing song, but rather create your own blues from scratch. That’s right: You get to be a composer. Whether your dog left you or your boss has done you wrong, playing the blues is as easy as counting to 12. Clues for the blues Two important elements in the blues are form and rhythm. When you have these down, add a few more essential elements, like grace notes or tremolos. Then you can make any of your songs sing the blues. To play the blues, you use the following elements: 12-bar form Swing or shuffle rhythm Seventh chords Tremolos Sad story to tell (everybody’s got one) 12-bar ditties Most blues uses a widely recognized structure called the 12-bar form, aptly named because each musical phrase of the song is 12 measures long. The 12-bar blues has a chord sequence that repeats over and over, usually with different lyrics and perhaps some melodic variation, until you genuinely feel sorry for the storyteller. Melody notes, rhythms, and lyrics may differ from one 12-bar phrase to the next, but the chords usually stay the same. The chords most often used in the 12-bar form are all seventh chords; they are as follows: The I7 chord: Chord with the first scale note as its root note The IV7 chord: Chord with the fourth scale note as its root note The V7 chord: Chord with the fifth scale note as its root note These three chords appear in the same order and for the same number of measures every time the 12-bar phrase is repeated. To play your own 12-bar blues, just follow these easy instructions, playing with either hand or both hands. When you have the chord progression memorized, try playing the chords with the left hand while your right hand plays a simple melody, riff, or blues scale. Play a I7 chord for four measures. Play a IV7 chord for two measures. Play a I7 chord for two measures. Play a V7 chord for one measure. Play a IV7 chord for one measure. Play a I7 chord for two measures. Repeat Steps 1 through 6 until you have your audience singing with you. Here’s an example of 12-bar blues that uses chords only. They may be just chords, but you should still play them with conviction. Changing it up All blues players realize that the same chords over and over can become repetitive (to both audience and musician), so they substitute other chords within the 12-bar form. For example, try a IV7 chord in measure 2 and play a V7 chord in measure 12 as a turnaround. Check here in Chapter 17, Video Clip 1 to watch a blues piece with chord substitutions.